First off, kudos to the people at the PBS affiliate in New Orleans who made the commercials documentary. It was a long time coming. But also… you left out the best parts!!!! I’m not going to start a witch hunt about how they left out spots for Popeyes, Levitz, Tastee Donuts, etc. I feel like this documentary was lacking my audio commentary track. So in the interest of self indulgence, here goes:

“Put this man to work!” This spot opens with that terrifying green monster (see below) and a voice over that it’s coming to eat your house. Then it’s swiftly followed by a guilt trip about how this 68 year old man, who should clearly be retired, but is condemned to walk the suburban streets of Meterie with his gray poodle, can’t make any money in the sleazy business of aluminum siding.

This housewife’s not having it… and he’s only trying to help.

The Arthur Miller vibe really comes home, when even the man’s poodle attacks him after not making the sale.
Usually by this point, in the thousands of times I saw this ad on pre-cable TV, my emotions were so spent I could never absorb the sales pitch.

Aahh, McKenzie’s, offering some of the worst pastries in the world. Always dry and very strange looking.

See?

Like a lot of ads for food, the McKenzie’s commercials always had someone rapturously eating the product…

… but you can see in this frame that one telling moment of the performance, where the actress is totally faking any pleasure.


The background song in the Seafood City ads is one of the greatest pieces of music ever written. It’s more infectiously memorable that the opening notes of ‘Sanford and Son’ or the riff in ‘Funky Town’.

Al Scramuzza, owner of Seafood City and star of all their commercials, also wrote the music. What a genius.


The Special Man in the midst of letting them have it. These ads were pretty self-consciously insane. The basic premise is that poor black people come into this furniture store and complain about not being able to afford sectionals and bedroom sets. So the white owner would play good cop/bad cop and tell them to see ‘the special man’ who invariably and in a perfect deep monotone would say, ‘let em have it.’

There was a lot of other action going on as well, like this guy, who would shout and shake at the camera.

For a while, I think this was a lot of people in New Orleans favorite thing on TV.

Here’s post-Katrina Frankie and Johnny furniture, stolen from the Quintron website (sorry!).



I have nothing to say about the K&B drugstores or the Time Saver convenience marts, except they’ve been gone for a long time now and I miss them. They are tied in with the very first memories I have of going shopping.


How all dads dressed/looked in New Orleans in the 80s…

How I wanted to look in the 80s.
